I take the Nikon F100, fill it with Lomography 400 color negative film, attach the Nikon 58 1.4G Lens and hit the streets of Seattle. I have the film developed and scanned by The Darkroom in Southern California. I download the scans and decide if possible to crop the images to a ratio of 16:9. One of the images did not permit the crop, the others did without interrupting the scene.