Last week, Andrew Morang (Kodachrome Guy, https://worldofdecay.blogspot.com/) asked if I wanted a couple of rolls of expired film. I rarely shoot expired film, but I was curious to see how it would turn out. These images are from the color roll he gave me.
I asked how I should shoot it, and he told me to give the film an extra stop of light, ISO 50, and develop it normally.
I decided to shoot the roll in Seattle. It was cloudy, and I knew I would need to use slow apertures.
I used the Voigtlander 58mm Nokton 1.4 Lens mounted on the Nikon FM3a.
I developed the film in Cinestill’s color developer. I scanned the negatives with the PrimeFilmXE using VueScan.
Steven Lawrence Pictures 
I’m glad you got to try it. The colors are a bit muted, and it looks more grainy than when it was fresh. I sure wish Kodak would re-introduce Gold 100. The new 200 in 35mm size (in my opinion) looks coarse.
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I have no history with this film. I do enjoy the colors and the grain. Thank you.
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Grain is my favourite inclusion in black and white. Never really noticed it in colour. But here, on witnessing more closely, it is still pleasing. I always feel grain gives a uniqueness to film imagery. All the best Steven.
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I am not sure shooting a fresh roll of this film would have this much grain but it does work when grain is apparent.
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I have many black and white rolls of Food. My singular word for film out of date. I haven’t shot anything for many years now. My friend gave me dozens of colour film rolls that are decades out of date. All basic TruPrint rolls. I am really liking your excursions into colour film use Steven. The colour palette results are fantastic. Your skills in lovely subject framing too. Cheers and all the best.
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